Verse explainer
Jesus didn't give a magic formula — he gave a shape: start with God's holiness, then bring your needs.
After this manner therefore pray ye: Our Father which art in heaven, Hallowed be thy name.
BSBSo then, this is how you should pray: 'Our Father in heaven, hallowed be Your name.',
The plain meaning
Jesus has just warned against two prayer failures: performing for crowds (vv. 5–6) and piling up empty words as if volume moves God (v. 7). His answer is this model — not a spell to recite, but a pattern to follow. It opens with 'Our Father,' which sets the tone: intimate, not groveling; bold, not casual. 'In heaven' adds weight — this Father is not a cosmic peer but the one whose throne is above everything. Then comes the first petition: 'Hallowed be your name' — a desire that God's own character and reputation be treated as holy, by us and by the world. The structure is deliberate: three God-ward requests come first (name, kingdom, will), then four requests for ourselves. That ordering is itself the lesson — approach God's concerns before your own.
The common misreading
What the commentators say
Henry sees the Lord's Prayer as a letter from earth to heaven: 'Our Father' is the address, 'in heaven' is the destination, the petitions are the contents. He stresses that opening with 'Hallowed be thy name' means we give glory to God before we ask anything for ourselves — the right order of prayer, where praise precedes petition and God's honor frames every request that follows.
Gill documents that both the address 'Our Father which art in heaven' and the petition 'hallowed be thy name' were already common in Jewish prayers — Christ was not inventing new language but selecting and endorsing forms his hearers knew, while giving them new grounding in the relationship believers actually have with the Father through him. Gill also notes the plural 'our Father' teaches us to pray for the whole community of God's people, not just for ourselves.
JFB observe that 'Our Father' captures holy familiarity while 'which art in heaven' supplies awesome distance — the two together prevent both irreverence and despair. They also note the prayer's descending and ascending structure: the first three petitions move from God's name to his kingdom to his will, while the last four move from daily bread up through forgiveness and temptation to final deliverance from evil.
The word behind it
'Let it be hallowed' — an aorist passive imperative from hagiazō, to make or treat as holy. The passive voice is significant: we are not making God holy (he already is), we are praying that he be recognized, revered, and treated as holy — by us and by the world. It is a petition that God's reputation match his reality. The same root gives us 'saint' (hagios) and 'sanctify.'
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